
Image: Conor Wylie, Victor Mariano, Anne-Sophie Woolnaugh, Sarah Chase in Pure Reseach 18 (Brian Quirt)
Pure Research Archive

Contextualizing Disability Stories
By Paulina Drohomyrecky and Shay Erlich –
Examining audience engagement with disability narratives and disability-led storytelling

Between//Us
By Lucy Coren & Rinchen Dolma –
Exploring what happens when we become displaced from the language and landscape that we’ve known

Racially Diverse Community Actors Over the Age of 55
By Zahida Rahemtulla –
Examining what meaningful acting programs for racially diverse community actors over the age of 55 could look like

Dramaturgies of the Unreal
By Cole Lewis & Patrick Blenkarn –
Exploring the dramaturgical foundations of Unreal Engine and
C++ programming

The Getting Better Part: Gesture Experiments in Stroke and Story
By Anne Wessels –
Investigating how movement, gesture, and physical objects can help an audience understand the effects of stroke

Controlling the Stage
By Christopher-Elizabeth Boyd –
Exploring giving the audience control of lighting and sound elements using familiar video game controllers

Decoherence
By Andrew Moodie –
Investigating bias in AI in a performance context

Mise en Place
By Derek Chan & Alexis Diamond – Examining how to work across common creative languages
Read more about Mise en Place
Casting Subjects
By Rachel Kauder-Nalebuff, Daimaah Mubashshir
& Evan Webber – Interrogating the casting process

Kinesthetic Performance
By Kate Digby, Erika Batdorf, Alan Macy & Mark-David Hosale – Examining physiological response to performance
Read more about Kinesthetic Performance
Don’t Spill the Sacrament
By Vanessa Porteous – The powerful impact of silence in the rehearsal hall
Read more about Don’t Spill the Sacrament
(Not) Our Mother Tongue
By Reneltta Arluk & Patti Flather – Exploring Indigenous languages in performance
Read more about (Not) Our Mother Tongue
Action in Two Media
By Siobhan Richardson & Jade Elliott McRae – Stage combat on stage & film
Read more about Action in Two Media
Discovering Physical Narrative
By Joanna Garfinkel & Natalie Schneck – Creating from unusual / non-narratives sources
Read more about Discovering Physical Narrative
Book Table Chair
By Kathryn Ricketts and Ellen Moffat – Performer & visual artist probe text, character, sound & story
Read more about Book Table Chair
Acting for Theatre & Camera
By Christine Brubaker – Examining storytelling on stage and on camera
Read more about Acting for Theatre & Camera
The Unfettered Singer
By Derek Kwan – Incorporating extreme physical movement into opera
Read more about The Unfettered Singer
Dialogue Through Dance
By Gail Lotenberg – Making research more effective in a performance context.
Read more about Dialogue Through Dance
Life Abstracted
By Nita Bowerman –
Can lived traumas be abstracted without losing emotional resonance?

Physicality and Text
By Maiko Bae Yamamoto and James Long –
A re-examination of how we use choreography

Sprechgesang – Theatre’s Forgotten Instrument
By Susanna Uchatius and James Coomber – Can the player and voice become one?
Read more about Sprechgesang – Theatre’s Forgotten Instrument
Voicing Pain and Suffering
By Mary Walsh –
Can you stab people in the eyes with text?

The Uses of Additive Light Blending
By David Duclos – Exploring Additive Color Theory in action
Read more about The Uses of Additive Light Blending
The Worst Thing
By Ruth Howard – Performing the worst thing that has ever happened to someone
Read more about The Worst Thing
The Unsuspecting Audience
By Moynan King and Sherri Hay – When does ‘the public’ become an audience? Taking Pure Research out of the theatre…
Read more about The Unsuspecting Audience
Kinesthetic Transference in Performance
By Erika Batdorf – Increasing the ability of dancers and physical actors to ‘move’ an audience
Read more about Kinesthetic Transference in Performance
The Choral Revolution
By Rebecca Singh and Nick Carpenter – What role can a chorus play in non-classical theatre?
Read more about The Choral Revolution
The Box
By Camellia Koo –
Experimenting with a huge box as a barrier between performer and audience

Sound Manipulation
By Cathy Nosaty, Laurel MacDonald & Philip Strong – Experiments with Ableton Live audio software
Read more about Sound Manipulation
The Invitation
By Moynan King and Sherri Hay – Exploring the role of the audience in theatre, through costume and community
Read more about The Invitation
Theatre of Illumination
By Anne Barber & Brad Harley – Drawing on Christian Boltans’ work to create theatrical structure
Read more about Theatre of Illumination
Theatre in Music
By Nick Fraser & Justin Haynes – The theatre of musical performance when not playing an instrument
Read more about Theatre in Music
Hello! Sound, Voice & Connection
By Heather Nichol –
Exploring sound and resonance with objects

On Comedy
By Lois Brown and Elizabeth Pickard –
Experimenting with comic structures

The Land Between Speaking & Singing
By Guillaume Bernardi – Investigating the transition between speaking and singing
Read more about The Land Between Speaking & Singing
Beneath the Poetry: Magic Not Meaning
By Kate Hennig –
Exploring the performer’s connection with text

Voice, Music and Narrative
By Martin Julien – What exactly can sung music communicate in a theatrical context?
Read more about Voice, Music and Narrative