
Image: Brian Quirt and Brittany Ryan at the 2019 Harold Awards (Dahlia Katz)
Mentorship
The most effective way to mentor dramaturgs, playwrights and theatre creators is to hire them, commission them, and collaborate with them…to treat them as equal rather than as ‘emerging’ and invite them into every aspect of how Nightswimming operates.
Brian Quirt
Producing internships are central to Nightswimming’s mission to create more opportunities for Indigenous and culturally diverse producers, administrators, and designers in order to change the face of leadership in the arts, impact who is hired and what art is seen.
Brittany Ryan
Nightswimming often hosts short and long-term internships in dramaturgy and producing. To do so we work with funders such as arts councils and foundations, theatre training institutions and university programs to support students, young-in-craft artists, and artists building new pathways in their careers.
It is vital to us that students and artists under age 30 are welcomed into Nightswimming’s play development processes and are able to gain artistic leadership experience with an innovative small theatre company that operates on a national scale. This is central to our commitment to innovation and to advancing the field of dramaturgy and play development in Canada.
While many of the internships we have hosted focus on dramaturgy mentorships with Brian, we have also supported producing mentorships to train individuals in the specifics of producing new works in development, with a focus on the creation rather than the production process.
Our invaluable partner in funding many of these internships has been the George Cedric Metcalf Foundation, whose Performing Arts Internship program has been central to our ability to host extended internships. A huge thank you to their leadership in this crucial element of our field, and their commitment to funding dramaturgical and producing mentorships. Please explore their website to review the funding opportunities the Foundation provides.
We have also partnered with universities and theatre training programs to invite students into our dramaturgical processes, particularly Pure Research and City of Wine. These partners have included University of Toronto Centre for Drama, Theatre & Performance Studies, George Brown Theatre School, Humber College Theatre, York University Department of Theatre, Simon Fraser University, Studio 58 at Langara College, University of Calgary’s School of Creative and Performing Arts, Concordia University, and Grenfell College at Memorial University.
In addition to our work with individual interns and mentees, we created the 5×25 initiative to specifically engage with new generation artists across Canada. Over five years from 2015-2020 we commissioned 5 artists under the age of 25, establishing a national network of more than 100 artists who’ve applied to the program, offering them guidance and mentorship.
Please note that we are not currently able to support short-term summer internships, and that all internships need to be funded by external partners.
If you’re interested in discussing internships and mentorship, please contact us and tell us what you’re interested in exploring.
5×25’s support has allowed me to develop as an artist at my own pace, on my own terms. I have grown profoundly – not exponentially or quickly, but in a way that grounds and strengthens a career.
Rhiannon Collett
Nightswimming has honed its practice over many years, making it an excellent company for mid-career artists to incubate and advance their work and for emerging artists to discover and cultivate their practice.
Christine Quintana
Past Participants
Interns that we’ve supported have gone on to positions at organizations such as the Tarragon Theatre, Harbourfront Centre, Black Theatre Workshop, The National Theatre School, Cahoots Theatre, Theatre Direct, Arts Club Theatre, University of British Columbia, among others.
We’ve enjoyed working with and have learned much from these artists that have undertaken internships with Nightswimming:
Sierra Hayes – Dramaturgy and Producing
Abdelghafor Elgamri – Playwriting, via TAC Newcomer/Refugee Artist Mentorship Program
Jessica Watkin – Dramaturgy and Producing
Nathaniel Hanula-James – Dramaturgy and Producing
Sam Kugbiyi – Playwriting and Dramaturgy, via
Black Theatre Workshop’s AMP program
Eden Middleton – Dramaturgy
Myekah Payne – Dramaturgy
Aaron Jan – Producing, via Generator
Olivia Shortt – Producing
Jeff Ho – Dramaturgy
Serhat Dogantekin – Playwriting, via TAC Newcomer/Refugee Artist Mentorship Program
Sehar Bhojani – Artistic Direction
Maddie Bautista – Producer, via Generator
Christine Quintana – Playwriting and Dramaturgy, via a BC Arts Council Early Career Development Grant
Emma Mackenzie Hillier – Producing and Dramaturgy
Rachel Steinberg – Dramaturgy
Alysse Rich – Dramaturgy, via the Theatre Ontario Professional Theatre Training Program
Leora Morris – Dramaturgy
Ulla Laidlaw – Dramaturgy, via the Theatre Ontario Professional Theatre Training Program
Marie Barlizo – Dramaturgy
Andrea Romaldi – Dramaturgy
Rupal Shah – Producing
Sandra Lefrançois – Producing
